heir placement is carried out during a performance led by the artist and by the dancer and choreographer Emmanuel Eggermont. Two of the works will be the direct result of that performance.

The practice and redefinition of drawing are central axes in the work of Diogo Pimentão (Lisbon, 1973). Mostly using paper and graphite, sometimes combining them with cement, acrylic plaster or wood, as well as producing works of video and performance, the artist’s pieces challenge the traditional boundaries of the discipline.