Functioning as an open letter launched nto the depths of the servers, infiltrating the fissures of the digital landscape, questioning its promises, ruins, and ghosts.

The exhibition evokes a research project in which Bragança Gil brings together vestiges, sculptures, artifacts, video installations, and electro-recorded images, composing an unstable territory where memory and simulation contaminate each other.

The virtual utopian euphoria gives way to a diffuse disillusionment, in a kaleidoscopic and unsettling environment, where echoes of obsolete systems and failed promises persist.

Between surfaces that seem to breathe and fragments of a decaying archive, emerges the cyber hangover — a state suspended between seduction and decay — revealing the post-utopian disillusionment of a virtual naiveté that cannot be sustained, but persists like a haunting presence.