
The exhibition Crónicas de uma Lisboa desconhecida (Chronicles of an unknown Lisbon) features almost a hundred works held in reserve by the Museum of Lisbon, offering a journey through Lisbon's lesser-known spaces, times and inhabitants.
Da €3
The exhibition "pencil for painting grey days" – Works from the EDP Foundation Art Collection brings together works by 21 Portuguese artists. These works share a common idea of generosity, ‘capable of transforming moments and sometimes even days,’ says curator Margarida Almeida Chantre.
Da €11
The Velar are artisans from southern India whose devotion to the gods is made tangible through terracotta sculpture.
Da €10
Enjoy the hot August in cool Sintra with activities for the whole family

‘Ecos Reais’ (Royal Echoes) is born from the dialogue between what was and what still can be. Here, artists were challenged to reinterpret this heritage, creating works that intertwine tradition and contemporaneity.
Ingresso gratuito
As part of the commemorations of the Centenary of Mário Soares, linked to the celebration of the 50th anniversary of the 25 April Revolution and the four decades since the signing of Portugal’s Accession Treaty to the EEC.
Ingresso gratuito
Unique space where some works in the CAM Collection are stored when not on view in our galleries or in other institutions. With the support of the mediation team, we invite visitors to discover a little more about CAM backstage.
Ingresso gratuito
This solo exhibition by French-Algerian artist Zineb Sedira is based on a reflection on the utopias of the 1960s, placing culture and resistance side by side.
Ingresso gratuito
In its third edition, ‘The Listening Biennial’ presents new audio works by an international group of 27 artists.
Ingresso gratuito
Motivated and guided by Scheherazade, the protagonist of the tales of ‘One Thousand and One Nights’, CAM proposes an exhibition of its Collection that draws inspiration from the fictional device of that ancient anthology.
Da €12
Francisco Trêpa extends his studio into the Engawa Space with a choreography of sculptures in transformation, inspired by CAM’s Garden.
Ingresso gratuito
he exhibition “just one world” invites the public to immerse themselves in the uniqueness of the photographic work of Derek Charlwood, a scientist and artist who, throughout his life, combined two seemingly distinct passions: medical entomology and photography.

The 7th Lisbon Architecture Triennale, titled "How Heavy is a City?", opens up a space for delight, outrage, speculation and transgression to debate the emerging forces that are transforming the spaces we inhabit.

The portuguese artist Isabel Cordovil (Lisbon, 1994) presents an installation in which she seeks to explore the tension between inherited identity and desired identity, between language and love, norm and otherness.
Ingresso gratuito
Lighter is an exhibition that unfolds the possibilities of inflection, of diversion, of not following trajectories imposed on us by the rapid acceleration of the Anthropocene.

The ‘Spectres’ exhibition presents multidisciplinary proposals that reflect the transformative potential of collective creative processes, where design and architecture, contemporary art, history, science and emerging technologies come together.

Forms in Space… by Light (in Time), a monumental light installation comprising of a complex grid of white neon lights, suspended in the Oval Gallery at MAAT – Museum of Art, Architecture and Technology.

Fluxes is one of the main exhibitions of 'How Heavy Is a City?', the 7th edition of the Lisbon Architecture Triennale. | at MAAT.

The three artists featured in this exhibition have in common the fact that an essential part of their projects consists of old family photographs they have found.

The exhibition Avenida 211 is a living archive of the space at that same number on Avenida da Liberdade, which, between 2006 and 2014, was fertile ground for artistic activity in the very heart of Lisbon.
Ingresso gratuito
Salt fields, rivers, invisible waters that inhabit aquifers and estuaries are natural resources, but also spaces of resistance and regeneration, which call on us to imagine preservation policies.